Echoes of Attention

50Х50

Birth of Meaning

50Х50

Echoes of Attention 2

50Х50

"Project proposal, 2026"

“Attention"

We rarely notice attention itself — yet it determines what becomes visible, meaningful and real. What we focus on takes shape and form; what falls outside that focus ceases to exist in lived experience.

The installation places the viewer inside a layered structure of suspended acrylic panels carrying fragments of text, letters and signs that appear and dissolve depending on where you stand. No single reading is possible — each path through the space creates its own sequence of meaning. Augmented reality adds further layers, making visible what the naked eye cannot hold.

"Project proposal, 2025"

"SUPRA"

Supra explores collective attention as a condition for the emergence of shared reality.

The project takes the Georgian tradition of the supra as its point of departure. Rather than approaching it as an ethnographic ritual, I am interested in its capacity to preserve something that is gradually disappearing from contemporary culture: a space of shared attention.

In an age when attention has become one of our most limited resources—constantly fragmented by digital technologies and the acceleration of everyday life—the supra offers a different experience of time. It slows perception, brings people back into the present moment, and creates the conditions for direct human encounter, where attention no longer belongs to the individual alone but becomes collective.

Within this shared field of attention, trust, memory, meaning, and a sense of belonging begin to emerge. Individual experiences no longer remain isolated; they become connected, gradually forming a shared lived experience. I understand attention not only as a cognitive resource, but as the connective force that links scattered fragments of human experience, weaving them into the pattern of lived reality.

"Project proposal, 2026"

"Memory "

Memory explores memory not as a repository of the past, but as a continuous process through which reality is reconstructed.

Contemporary neuroscience suggests that remembering is not the retrieval of a fixed event, but its reconstruction each time it is recalled. The past does not return unchanged; it is continuously rewritten in the present, shaped by new knowledge, emotions, imagination, and experience. Memory therefore becomes not an archive, but a living process through which meaning is constantly reconfigured.

I approach memory as one of the fundamental forces involved in the continuous assembly of lived reality. Every present moment reshapes our understanding of the past while simultaneously influencing how we imagine the future. In this process, every act of remembering inevitably contains elements of imagination, uncertainty, and choice.

The works in this series are constructed from fragments, transparent layers, text, light, and augmented reality. Rather than forming a single fixed narrative, these elements remain open to multiple possible connections. Just as consciousness continuously reconstructs memory from scattered traces, viewers become participants in a process where meaning gradually emerges through the relationships they establish.